Metallic Spheres

Volume One

The Metallic Spheres album project between the Orb and David Gilmour brought together two huge musical inspirations to create an epic, landmark psychedelic soundscape. As a music lover of The Orb and Pink Floyd, it was a dream come true. I was initially inspired to create visuals based on the paradox of traveling without movement, inwards like a Shaman shifting through altered states deep into the vast imagination of inner space. The mystery of the Metallic Spheres lies between Worlds, gatekeepers to unperceivable dimensional realms outside our own. As sentient technology, possibly as old as the Universe itself. All-powerful. None malevolent, yet seemingly omnipotent.

Further exploration of the "Metallic Spheres" series revealed a fascinating journey into the intersection of music, art, and technology, especially given its collaborations with The Orb and David Gilmour. Much like the album itself, the series is imbued with layers of meaning, each sphere representing a unique facet of sound, emotion, or conceptual exploration. The collaboration combines distinct musical elements—Gilmour's signature guitar work and The Orb's ambient and electronic soundscapes—each sphere a world of sound and texture, yet part of a more extraordinary cosmic ensemble.

In a literal sense, the artwork reflects themes of unity, completeness, and infinity inherent in the shape of the shapes. Metaphorically, they symbolize planets or atoms, suggesting themes of interconnectedness in the Universe and the fundamental building blocks of matter, resonating with the ambient nature of the music. The metallic aspect alludes to the technological, synthesized creation of music, blending organic guitar tones with electronic sounds in a seamless fusion. This synthesis is mirrored in the artwork's aesthetic choices—shiny, reflective surfaces that capture and bend the light, much like the album blends and bends genres and influences.

Incorporating elements of personal vision and the specific influences from The Orb and David Gilmour deepen the interpretation. My work often explores themes of space, with the spheres representing celestial bodies and their metallic nature hinting at the human endeavor to explore and understand the cosmos through technology.

The cultural significance of the UFO (or UAP) phenomenon adds another profound layer to the "Metallic Spheres" project. UFO sightings have captivated the public imagination for decades, becoming a significant part of cultural and social discourse. Often seen as bridges between the known and the unknown, these phenomena echo the exploration and curiosity themes underpinning this project. The integration of UFO lore, especially from locations like Landers, known for its UFO history and spiritual significance, ties into George Van Tassel's legacy of extraterrestrial communication and the ancient Indigenous beliefs in Star People​.

Travelers I

2010 - wide panel digital collage & ILLUSTRATION

2010 - wide panel digital collage & ILLUSTRATION

Travelers II

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Metallic Sphere I

2010 - digital

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Metallic Sphere II

2010 - digital

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Metallic Sphere IV

2010 - digital

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Metallic Sphere III

2010 - digital

Metallic Spheres - in Colour

"Rite of Spring" and "Skylark" embody a homage to the rejuvenating essence of spring and the inherent cyclicality of existence. "Rite of Spring" was used for The Orb and David Gilmour, and the "Metallic Spheres in Colour" cover record release. The piece "Skylark," presented as a poster accompanying the record version of the Metallic Spheres series, encapsulates a moment of calm harmony and renewal at Peter's Canyon in Orange County—a locale renowned for its vibrant blossoms that bloom with renewed vigor at the spring equinox.

At the heart of this composition are the metallic spheres, meticulously stacked and hovering with an ethereal grace above the verdant field, bathed in the soft, golden light of the afternoon Sun. These spheres, with their polished, reflective surfaces, act as a mirror to the world around them, capturing and bending the light of the spring equinox, a time when day and night find equilibrium and stand on the cusp of growth and rebirth.

The choice of Peter's Canyon as the backdrop, with its fields of vibrant yellow blossoms, infuses the background with a wash of nature's colorful electricity bouncing on the spheres' reflective surface.

"Rite of Spring" symbolically reflects the cycles of nature, the passage of time, and our place in the natural world. The renewal is a testament to the moment when our world awakens from its winter slumber, and life begins anew with boundless possibility.

Rite of Spring - 2022

Interstellar Overdrive -2022

The Void

Skylark - 2022

Landers

Landers, California, stands as a pivotal junction of mysticism, extraterrestrial intrigue, and scientific exploration, primarily marked by the enigmatic presence of the Integratron and the colossal Giant Rock. This desert locale weaves a compelling narrative that spans ancient Native American spirituality to mid-20th-century UFO culture, providing a rich backdrop for the "Metallic Spheres" project. I spent 6 months traveling back and forth from Long Beach, to the Mojave Desert in my spare time, visiting, exploring and recording sites like The Integratron, Gaint Rock and the surrounding area. I was captivated by the local folk law and stories that intertwined with this enchanted area. The location is dry and arid, yet mystically sparse, allowing the color of the blue sky to fill your pilfery view and landmarks to focus your vision.

The Integratron, a brainchild of George Van Tassel—an aviation engineer turned UFO advocate—embodies a fusion of diverse influences. Built between 1957 and 1977, this unique, all-wood dome is positioned at a geomagnetic force intersection and was intended as an electrostatic generator for rejuvenation and time travel. Nearby, Giant Rock, the world's largest freestanding boulder, has served as a spiritual site for Native American tribes and a focal point for Van Tassel's Spacecraft Conventions, making it a beacon of extraterrestrial communication and broader UFO lore.

The surrounding Mojave Desert, inhabited by diverse Native American groups like the Pueblo, Pimans, Yumans, and Shoshonean tribes, offers a cultural backdrop that has long embraced celestial connections. Stories of the "Star People" or "Sky Gods" among these tribes suggest ancient extraterrestrial ties, paralleling Van Tassel's narratives of otherworldly guidance. This convergence of spirituality and extraterrestrial intrigue aligns with the vision of the "Metallic Spheres."

The Metallic Spheres, situated within the stark, mystical landscape of the Mojave, draw upon the area's rich tapestry of historical and cosmic significance. Each view is a vision of resonating with the vibrations of the land—a land that has been a conduit for messages from the stars and a canvas for ancient celestial wisdom. The placement of the Metallic Spheres in this desert expanse is a deliberate alignment with Landers' historical narrative of exploration and connection. In this context, the spheres become physical manifestations of the quest to bridge the terrestrial and the cosmic.

This selection of Landers as the setting for the Metallic Spheres weaves a new layer into the region's multifaceted story, focusing on the continuum of human curiosity and creativity—from ancient Native American reverence for the cosmos to Van Tassel's visionary endeavors into artifacts of contemporary artistic expressions and function. The Metallic Spheres pay homage to the past and carry forward Landers' legacy as a sacred space of cosmic inquiry and creative exploration.

Landers I - 2023

Landers III - 2022

The Metallic Sphere

Starting life at the start of the project in 2010 as a 2D illustration, I sculpted the next version to create more accurate renditions of compositions made for the Metallic Spheres in Colour. The composite imageries fusing actual photography with a 3D sculpture helped create the hyper-surreal nature of the work, its treatment after tapping into the vein of airbrushed Sci-Fi novel covers of the Seventies and the Eighties. These were influential in the feel of the ambiance and color of the work. Also, having it as an object felt more real to me and opened the possibilities for future explorations in casting reflective materials and creating life-size sculptures to place in nature.

The Metallic Sphere is in production, ready for 2026.

Metallic Sphere Sculpture - Orginal Size

Metallic Sphere Sculpture